Trade Secrets
How does a concept transform into an artwork?
We will try to visually explain….
Custom order requests, coupled with our own artistic pursuits, direct us to
constantly create new, diverse work. This challenge often requires a unique
approach to construct each new piece.
No molds are used. Rather, we enter our tiny studio equipped with sketches,
detailed calculations, and a determination to meet the demands of the specific
artwork. Then, precise forms are thrown and trimmed on the potter’s wheel.
Sculpting completes the design.
Take a peek, be surprised, nod your head in enlightenment. Ahh… so that’s
how it's done!
All images and designs copyright of Kaolin Pottery. All rights reserved.
(Click images to enlarge)
Tribute Plaques in Progress
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The making of a floor piece
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After you select the significant items to include in the tribute,we'll send a sketch to you.
Construction begins after you approve the sketch. Then the plaque is fired,colored and
photocopies of pictures, documents, etc. are sealed into the gift.
1)
Photos,diplomas, birth certificates, newspaper articles, etc. -
originals or photocopies - all are returned at the time of delivery.
2)
A basic sketch depicts the final composition.(Note: 2D drawing is
not our strength, but the 3D clay conclusion makes up for it!)
3)
Each component is separately made, then strategically placed
into the plaque. Together, they complete a narrative that
celebrates the recipient.
4)
After applying color, resized photos /documents, and an
inscription on the back, the tribute is ready to hang or display in a
plate stand.
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This vessel stands over 2 feet tall. To begin, 3 parts are thrown on the potter's wheel, then joined.
Trimming on the wheel refines these connections into a seamless whole. Next, the top
crown is sliced to add a dramatic flair. About 2 weeks later, the piece is dry enough for
glazing and firing. And voila- hello paycheck.
Carnivores can relish the fantasy of biting into a juicy burger while vegetarians can enjoy knowing
it's made of clay. Handbuilding techniques mask its origins on the wheel. Stains and
sealers complete the illusion.
The raised, textural patterns characteristic of the "Aurora" series emanate from isometric carving
Sandy employs on the potter's wheel. Shown (in center) is a very wet, recently thrown
centerpiece in its early stages before texture, glaze/stains have been added.
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Capturing the aurora borealis in a bowl
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